“When we started taking a look at the story for Shrek the Third…there were a number of things that were very troubling to us,” explains Cutler. New wardrobe and advancements in technology lead the main characters to be rebuilt and re-riggedĪ lot of technology - including simple raw processing power - has changed since development began on the first Shrek almost a decade ago.
Lucia Modesto has a lot of history in the series, working on all three as Character Technical Director Supervisor, along with co-supervisor Larry Cutler on the last two films. Not only can the crew revisit characters, but advances in technology also allow greater flexbility in creating effects to enhance the storytelling. Much of the staff has worked on all three films at PDI - starting at the top with first-time Director/Writer Chris Miller and Co-Director Raman Hui. Working on a series provides a lot of benefits for the artisans at PDI/Dreamworks as they are able to continually tweak the process to their advantage. The new film carries on this success based upon opening weekend numbers in the US and Canada, with an estimated $122US million box office opening. Shrek is easily one the most successful animated franchises in Hollywood, with the first two films in the series taking in over $1.4US billion in box office receipts and selling over 90 million DVDs. Our online story also contains a large gallery of images. In this fxpodcast, we speak with Larry Cutler and Matt Baer from PDI/Dreamworks including their insights into how working on a series of films changes the workflow. The user is responsible for any other use or change codes.With a weekend opening of over $120US million, Shrek the Third continues the box office success of the franchise.
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